The Meyer de Haan is a self-portrait by a minor artist most people have never heard of. It is worth only a fraction of what the other paintings are worth. Jop Ubbens, the general director of Christie's in Amsterdam told The Guardian that the de Haan "might have been stolen by mistake." The Guardian's art critic, Jonathan Jones, thinks "any idea that a tasteful collector commissioned this theft is undermined by the inclusion of Meyer de Haan's “Self-Portrait”. No offence, but this comparatively minor Dutch artist does not really belong in the company of the others whose works have been stolen." True. But suppose for a moment that it wasn't a mistake. Suppose that whoever masterminded this robbery actually did want the Meyer de Haan. Why? What does the painting by Meyer de Haan tell us? What might that self-portrait have to do with all the other, more famous paintings that were stolen? There is a mystery here, perhaps, that only needs the right key for unlocking, the right set of questions. And the first, most obvious question is staring us right in the face.
Who is Meyer de Haan?
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